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the idea of control and the idea of women having their own autonomy I think is such a topical and ever-present theme in the world today."īy chance, the cast shot a scene in which Sophie confronts her husband, played by Oliver Jackson-Cohen, the same day Spears succeeded in ending her father's control of her finances.
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While "Sophie's trajectory is very specific to our show. "The idea of a conservatorship was very much in the zeitgeist at the time, but that was almost coincidental," said Mbatha-Raw. She is placed under the conservatorship of her husband - soon suspecting he may be hiding details about her former life, and questioning if he truly has her best interests at heart.Ĭonservatorships - a form of legal guardianship, in which a court hands control of finances and even personal decisions to a guardian - surged into the public eye last year as pop star Britney Spears fought to have hers terminated. When I left Hollywood, I went back to being an artist.Mbatha-Raw, best known for "Belle," "Loki" and "The Morning Show," plays Sophie, a woman with severe memory loss from a purported suicide attempt, trying to piece her life back together. "I felt always that my talent was as an artist," she says. Before a cross-country modeling trip forever altered her trajectory, Novak attended the School of the Art Institute of Chicago on scholarship.
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Yet for Novak, her years in Hollywood remain a kind of deviation in her life. Though Novak worked with many of the day's top directors - Otto Preminger, Billy Wilder, George Sidney - "Vertigo" remains the unquestionable apex of her career. "He was just the greatest person of all," she says. But Novak also has "wonderful memories" of "Vertigo." She praises the freedom Hitchcock gave her to interpret her character, and rhapsodizes about Stewart as a co-star. "As Madeleine, it didn't feel right and that's what was right about it," added Novak. "And he said, 'No, my dear, that's exactly what I want you to wear.' I thought: Of course, he wants Madeleine to feel uncomfortable." That's not something I would have chosen to wear,'" said Novak.
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I said, 'You know, I really don't like the outfit you chose me to wear. "I was very uncomfortable and I told him so. The two initially disagreed on Madeleine's indelible outfit: a gray suit and black shoes. Novak is uneasy in the role, a feeling she credits Hitchcock with purposefully inducing. What's so remarkable about Novak's performance in "Vertigo" is how she expresses an apprehension that she's been sucked into a disturbed male world that desires some version of her that she isn't. He never wanted anyone to have anything on him." (Cohn is alleged to have insisted on sex from several female stars, including Hayworth, who detailed her refusals in a 1989 memoir.) "I never had a problem with Harry Cohn," she said. Novak didn't discuss specific names or experiences - "In that period, the same things went on," she said - but spoke supportively of the studio boss who had so much influence over her career. You feel: There must have been something in you that they liked, and yet they wanted to change you." So it was constantly fighting to keep some aspect of yourself, trying to keep some of you. "In the beginning, they hire you because of the way you look, obviously, and yet they try to change your lips, your mouth, your hair, every aspect of the way you look and the way you talk and the way you dress. "I identify so very completely with the role because it was exactly what Harry Cohn and what Hollywood was trying to do to me, which was to make me over into something I was not," says Novak, referring to the iron-fisted Columbia Pictures founder who contracted her. In Scottie's elaborate efforts to recreate Judy as Madeleine, Novak recognized Hollywood's own manipulations of her. Novak's performance in "Vertigo" is exceptional not only because it's two-fold - she plays both the mysterious, suicidal Madeleine and Judy, whose similar appearance to Madeleine mystifies the Scottie (Stewart), the obsessed detective who had trailed Madeleine before her apparent death - but because it's so representative of how male fantasies are projected onto women.